LIGHTING DESIGN AND APPLICATION IN AKSU PINNACLE THEATRE: A STUDY OF EKAETTE BRIAN-DIRECTED OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN

Abstract

This critical work aims at unraveling lighting as a multi-dimensional design element which has fundamental importance for a sustained effect and for creating beauty in stage performances. Using Ekaette Brian-Directed production of Ola Rotimi’s Our Husband Has Gone Mad Again, the study draws on Stanley McCandless’ lighting theory as the theoretical framework and relies on qualitative research design. It employs both primary and secondary sources of data collection in which empirical observations, experimentations, description of situations in the play and participations constitute the primary sources, while secondary sources were drawn from related texts and critical resources to support the discourse. At the end of this research, the management of Akwa Ibom State University (AKSU), Technical Theatre Practitioners (TTPs) and Scholars, as well as students will be the direct beneficiaries of the ideas generated in this research. It was found out that lighting design remains an inseparable component of technical theatre and should be properly managed and handled within and outside the institution of higher learning in Nigeria. The study concludes that, without proper lighting design, theatre patrons and the general audience would be left in the dark, without comprehending the message of the performance. The research thus recommends that AKSU should purchase and install more technologically advanced digital lighting fixtures in the theatre so as to enhance the effects of lighting in the theatre arena towards attaining the innovativeness in, and the goals of performance in line with contemporary digital world order.