CONTEXTUAL MEANING OF COLOUR IN SELECTED PROTEST POSTERS OF RUSSIA’S FEBRUARY 2022 ATTACK ON UKRAINE

Bibian Ugoala

Abstract


War has the tendency to spark off different actions and reactions from those dirrectly involved in the war and those not involved. Posters are some ways through which reactions are displayed agaisnts war actions; meanings are conveyed not only through words, but also through other semiotic resources like colour. The aim of the study is to reveal insights into the different layers of meaning colours add to other semiotic elements in chosen posters of the February 2022 Russia versus Ukraine war. To achieve the aim of the study, the study adopts the qualitative method of enquiry into the meanings colour can add to semiotic elements in posters. Nineteen posters were purposively chosen and downloaded from online, and analysed using insights from Social Semiotic theory. The objectives of the study are: to find out the different shades of meaning dicernable in the colours used in the posters; to examine how anger is encoded in the protest posters of Russia versus Ukraine war. The study found that colour, a semiotic element has great meaning potentioals; colour red prevalent in most of the posters symbolise Russia, and connote danger, anger, and warning; colour blue and yellow in some posters symbolise Ukraine, and connote resillience and peace. The study concludes that colour is very powerful in the conveyance of meaning, and context helps to add the right meaning to colours. It is recommended that poster creators should use semiotic elements that are relevant to meaning creation in whatever situation they try to portray.


Keywords


Russia versus Ukraine war, Protest posters, Colour meaning, Social semiotics, Colour red, Colour blue, Colour yellow.

Full Text:

PDF

References


Berger, Arthur.(2010). The Objects of Affection: Semiotics and Consumer Culture. United State: Palgrave Macmillan.

Cobley, Paul. (2010). The Routledge Companion to Semiotics. London: Routledge.

Chandler, D. (2007). Semiotics: The Basics. 2nd edn. London: Routledge.

Darrodi, M. M. (2012). Models of Colour Semiotics. [online] Available at: http://etheses.whiterose.ac.uk/4150/1/Models_of_colour_semiotics.pdf.

Haque U, Naeem A, Wang S, et al. The human toll and humanitarian crisis of the Russia-Ukraine war: the first 162 days. BMJ Global Health 20227:e009550. doi:10.1136/ bmjgh-2022-009550

Harrison, Claire. (2003). Visual Social Semiotics: Understanding How Still Images Make Meaning. Technical Communication journal, 1(50), 2-10.

Hoolbrook, M. B. (1987). “The study of signs in consumer esthetics: An egocentric review”, in Sebeok, T. A. (Ed.), Marketing and Semiotics. New Directions in the Study of Signs for Sale, Berlin: Mouton de Gruyter. pp. 73–122.

Javier Cifuentes-Faura (2022). Economic consequences of the Russia-Ukraine war: a brief overview. Espaço e Economia Revistabrasileira de geografiaeconômica. DOI: 10.4000/espacoeconomia.21807

Joseph S. Nye. (2022). what caused the Ukraine war.

https://www.project-syndicate.org/commentary/what-caused-russia-ukraine-war-by-joseph-s-nye-2022-10

Kress, Gunther. (2010). Multimodality: A Social Semiotic Approach to Contemporary Communication. London& NewYork: Routledge.

Robert, Hunter. (2022). The Ukraine Crisis: Why and What Now? Survival, 64:1, 7-28, DOI: 10.1080/00396338.2022.2032953

Kauppinen-Räisänen, H. and Jauffret, M-N. (2018). Using colour semiotics to explore colour meanings. Qualitative Market Research: An International Journal. 21 (1), 101-117. https://doi.org/10.1108/QMR-03-2016-0033.

Idris Shehu (2022). Explainer: Why exactly is Putin invading Ukraine?

https://www.thecable.ng/explainer-why-exactly-is-putin-invading-ukraine

Tampubolon M. (2022). Russia’s Invasion of Ukraine and its Impact on Global Geopolitics. European Scientific Journal, ESJ, 18 (20), 48. https://doi.org/10.19044/esj.2022.v18n20p48

Javier Cifuentes-Faura, “Economic consequences of the Russia-Ukraine war: a brief overview”, Espaço e Economia [Online], 23 | 2022, Online since 19 July 2022, connection on 06 February 2023. URL: http:// journals.openedition.org/espacoeconomia/21807. DOI: https://doi.org/10.4000/espacoeconomia. 21807

Machin, David., &Mayr, Andrea. (2012). How to Do Critical Discourse Analysis: A Multimodal Introduction. London: Sage.

Mearsheimer, John. J. (2022). The Causes and Consequences of the Ukraine War

https://www.russiamatters.org/analysis/causes-and-consequences-ukraine-war

Peirce, C. S. (1998b).The Essential Peirce. Selected Philosophical Writings. Bloomington: Indiana University Press.

Sharif, Forouzan.,&Kamali, Mozhgan.(2017). Intersemiotic Study of the Linguistic and Non-Linguistic Signifiers in Cinematic Posters. International Journal of Language Learning and Applied Linguistics World, 15(1), 238-253.

Ugoala, B. (2020). Face Mitigation Strategies in Former Nigeria President of Nigeria Goodluck Ebele Jonathan’s Memoir My Transition Hours, International Journal of Humanitatis Theoreticus, 3 (2),80 - 93. ISSN: 2714 – 2418.

Ugoala, B. (2022). Power in words: An Analysis of the Flaming Devices in PresidentVladimir Putin’s Speech Before the February, 2022 Attack on Ukraine. Kampala International University Journal of Humanities, 7 (2), 171 – 179.

Ugoala, B. (2022). Multimodal Analysis of Memes in Tweets of Responses to Nigeria’s Minister of Health’s Statement on Resident Doctors in Nigeria. Zamfara International Journal of Humanities. 2ndEdition, 1 (3), 28 - 46. www.zijohonline.com

Wang, W. (2015). Impact of Western Sanctions on Russia in the Ukraine Crisis. Journal of Politics and Law, 8, 1.

Wong, May. (2019). Multimodal Communication: A social Semiotic Approach to Text and Image in Print and Digital Media. London: Palgrave Macmillan.

Zhou, X. Y., Lu, G., Xu, Z., Yan, X., Khu, S. T., Yang, J., & Zhao, J. (2023). Influence of Russia-Ukraine War on the Global Energy and Food Security. Resources, Conservation and Recycling, 188, 106657.

Posters Source: https://www.redbubble.com/shop/putin+posters

https://www.redbubble.com/shop/anti+putin+posters


Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Bibian Ugoala

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

 

 

 

 

 

 

 

 

 

 ISSN (Print):   2695-2319

ISSN (Online): 2695-2327

 

 

   

 

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.