#SÒRÒSÓKÈ RHYTHM: WHEN STREET POETRY BRAVES STORMY CITIES, SPEAKS TO POWER IN SEASON OF ANGST AND POLITICAL TURMOIL.
Abstract
This work examines the creative impetus and social context of the #EndSARS-#Sorosoke art form in recent Nigerian literary experience that was birthed in the month of October 2020, as a novel offering to the literary catalogue of Nigeria’s creative ferment. The poems in the collection serve as vivid witness to the period of the stormy saga of the #EndSARS protest movement, which climaxed the ennui of the Nigerian youths’ bottled-up, prolonged frustration, disillusionment and angst. The outburst was to engulf the Nigerian state, provoked the bloody scene at the Lekki Toll Gate in Lagos, resulting in a devastating effects with indelible dent on the body politics of the nation. Although the foreboding situation was eventually brought under control after much ado by the fidgety, flabbergasted ruling federal government, yet, the spirit of that moment breaths in the rhythm of #Sorosoke poetry. To immortalize this historic moment, there was a rousing symphony of multi-tonal, multi-vocal poetic events that was incubated in the midst of this agonizing moment and the aftermath which added to mediate that tragic phase that in the process immortalize the heroism of the martyrs of that movement and also pass to posterity that historic epoch. In this work, the #EndSARS-derived ‘sorosoke poetry’ are examined critically and analyzed to highlight the tempo of actions and implications, convictions, resolves and statements that are embodied in the #Sorosoke art form that has created a new literary consciousness and fresh perspective in Nigerian literature.
Keywords
Full Text:
PDFReferences
Affiah, Uwem., Udoinwang, David Ekanem and Amaku, Offiong Ene. Enriching African Literary Drama with the Creative Technicality of Indigenous Story Performance Approach: The Example of Femi Osofisan. European Journal of Literature, Language and Linguistics Studies. Volume 6, Issue 3, 2023. pp.12-27.
Affiah, Uwem. Protest, Resistance and Activism in the drama of Osonye Tess Onwueme. American Journal of Social Issues & Humanities. Volume 2, Issue 5, 2012. pp. 284-293.
Worugji, Gloria and Affiah, Uwem. Maltreatment, Greed and Self-centredness in Mike van Graan's Play Some Mothers' Sons. LWATI: A Journal of Contemporary Research, Volume 13, Issue 2, 2016. pp 39-47.
Akingbe, Niyi. Writing Protest Obliquely: Articulating the Burden of a Nation in Chinua Achebe’s Anthills of the Savannah.’ Niyi Akingbe. Transnational Literature Vol. 5 No. 1(November) 2012. November. http://fhrc.flinders.edu.au/transnational/home.html
Akpan, Ikpe Justice; Supramanien, Didier & Kwak, Dong-Hien (Austin). 2020. Cutting-edge technologies for small business and innovation in the era of COVID-19 global health pandemic. Journal of Small Business & Entrepreneurship.Volume 33, Issue 6. 2020.pp.607-617.
Bekederemo, J.P. Clark. State of the Union. Longman, 1985.
Getz, Yasmine. Poetry of the Resistance, Resistance of the Poet. Studies in 20th Century Literature. Vol. 26: Iss. 1, Article 5 (2002).http://dx.doi.org/10.4148/2334-4415.1519
https://www.researchgate.net/publication/27328977.Poetry_of_the_Resistance_Resistance_of_the_Poet [accessed Dec 26 2022].
Kehinde, Ayo. Social Realism, Didacticism and Aesthetics in African Children’s Prose Fiction. UTENIKANG: Ibom Journal of Language and Literary Review. Vo.1. 2021.pp.111
Onukaogu, Allwell Abalogu and Onyerionwu, Ezechi. 21th Century Nigerian Literature: An Introductory Text. Ibadan, Kraft Books Ltd., 2009.
Stauffer, John. 2006. ‘Foreword’, American Protest Literature ed. Zoe Trodd. Cambridge, Mass: The Belknap Press of Harvard University Press, 2006.
Tsaaior, James Tar. Negotiating ‘Modern’ African Poetry through the Kinesis of History. Ibadan Journal of English Studies. Vol.2. 2005.pp.115-133.
Udoinwang, David and Akpan, Ikpe Justice. Digital Transformation, Social Media Revolution, and E-Society Advances in Africa: Are Indigenous Cultural Identities in Danger of Extinction? (February 6, 2023). Available at SSRN: https://ssrn.com/abstract=4349795 or http://dx.doi.org/10.2139/ssrn.4349795
Udoinwang, David Ekanem, and Chinenye Amonyeze. "Of Africa’s Underdevelopment and Deceptive Intellectualism: A Pan-Africanist Inquiry into J.P. Clark-Bekederemo’s State of the Union." ANSU Journal of Language and Literary Studies 2.1 (2021).pp. 159-169.
Udoinwang, David Ekanem and Akpan, Kufre Aniefiok. Social Hysteria, Moral Panic and the (Dys)functional Order of Postmodernity in Amma Darko’s Faceless and Bolaji Abdullahi’s Sweet Sixteen. LWATI: A Journal of Contemporary Research 2022, 19 (4): 185-200 www.universalacademicservices.org
Wa Thiong’o, Ngugi. Decolonizing the Mind: The Politics of Language in African Literature. Oxford: James Currey, 2005.
Verissimo, Jumoke and James Yeku. “A Collection of Poetry and Reflections on the #ENDSARS Protest.” brittle paper, 2020. (Accessed October, 22, 2022). At https://brittlepaper.com/2020/10/a-collection-of-poetry-and-reflections-on-the endsars- HYPERLINK "https://brittlepaper.com/2020/10/a-collection-of-poetry-and-reflections-on-the-endsars- protest-curated-by-jumoke-verissimo-and-james-yeku/" HYPERLINK "https://brittlepaper.com/2020/10/a-collection-of-poetry-and-reflections-on-the-endsars-protest-curated-by-jumoke-verissimo-and-james-yeku/"protest-curated-by-jumoke-verissimo-and-james-yeku/. [Google Scholar]
Yeku, James and Verissimo, Jumoke. Poetry is not a luxury: Soro Soke captures the poetics of the #ENDSARS protest in Nigeria, 2020. https://www.news24.com/channel/arts/poetry-is-not-a-luxury-soro-soke-captures-the- poetics-of-the-endsars-protest-in-nigeria-20201026
Refbacks
- There are currently no refbacks.
Copyright (c) 2023 David Ekanem Udoinwang (PhD), Uwem Affiah (PhD), Monica Udoette (PhD)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
ISSN (Print): 2695-2319
ISSN (Online): 2695-2327
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.